Speed beer tasting

One of the experiments at this weekend's European Beer Bloggers Conference was speed tasting, or speed blogging. The idea was like speed dating: we'd get ten beers brought around, each one by the brewer or someone from the brewery, and then we'd have just five minutes for them to introduce themselves and the beer, and for us to taste and write about it.

It was a bit of a blur – maybe ten was too many beers, or maybe we needed ten minutes with each – but was good fun and it's an exercise that I reckon beer clubs or even beer festivals could easily copy or adapt.

For the brewer it makes you focus on your "elevator pitch", while for the tasters it makes you think fast; the only possible downside is you might find yourself focusing too much on the aroma and the initial flavours, and not enough on the longer body and finish of the beer.

Anyway, here's the beers, plus my notes which were either live-blogged into RateBeer or Untappd, or in some cases simply scribbled into my notebook...

1. Adnams Ghost Ship (4.5%)

Bottle, mid-gold, good Citra dry-hop aroma, dry palate with light biscuity malt, a little pine coming through in the mid-body, dry finish. Not too complex. 14/20

2. Innis & Gunn Scottish Pale Ale (7%)

Bottle. A new version of these by now well-known barrel-aged beers, this one was aged in a Bourbon cask and is currently only on sale in Sweden. It's lightly floral and a bit sweeter than the other I&G beers I've tried. 14/20

3. Leeds Hellfire (5.2%)

Bottle, pale light bitter, citrus nose, quite bitter at first, medium bodied, not complex in flavour. Designed to be drinkable from the bottle as well as a glass. (I suspect I'm not exactly in the target market for this one!) 13/20

4. Camden Town Hells (4.6%)

Bottle. A German-style helles but with the German hops swapped for American ones. Banana & grapefruit nose, like a fruity IPA, cloudy gold and quite gassy – and tasty. (I went back for seconds afterwards!) 14/20

5. Otley Oxymoron (5.5%)

Cask decanted into minikeg. Lots of piney hops on the nose, smoother body than some black IPAs. Six hops used. A little liquorice and treacle in the mouth. burnt bitter and a touch of choc in the finish. Hops overpower the malt somewhat. (I've had better Oxymoron before, but it's also not the best black IPA I've had (that's Windsor & Eton Conqueror 1075, then Thornbridge Raven.) 13/20

6. Marble Brewery/Emelisse Collaboration Earl Grey IPA (6.8%)

Bottle. Steeped with 3kg of tea, plus plus Citra hops. Deep gold and slightly hazy, with a big citrus and pine IPA nose. The body is hoppy at first but then smooths out, with hints of pineapple and a faint tannic tea note coming through in the finish. 15/20

7. Roosters Baby Faced Assassin (6.1%)

Cask & decanted into a jug, deep gold, dank piney nose, nice balance of sweet malt vs hops, hints of peach and mandarin and a little melon, smooth, full bodied. Good stuff. (Apparently this was a single-hop special edition one-off just for this event – that might be cheating a bit, but it was nice!!) 15/20

8. Great Heck Stormin Norman (6.5%)

Cask & decanted into a jug, dark gold/light amber with a coarse but clingy white head, fruity nose with pine hints, but then the body is surprisingly light for the ABV. Rather one-dimensional with an astringent acrid finish. Not very well balanced. 11/20

9. Slaters Top Totty (4%)

Bottle, gold with relatively high carbonation, grassy hops on the nose, crisp and wheaty (there is a portion of wheat in the grist), a little peppery hop, dry, light. Like a lager/ale cross. A nice summery beer. (This one I prefer in cask, though.) 12/20

10. Brains Dark (4.1%)

Bottle. A nice mild but it's better on cask in my experience, even though the bottled version has a higher ABV. It also may have suffered a little from coming to our table after a couple of hop-monsters... 12/20

I'm pretty sure I've got the above in the wrong order, but then I was live blogging in three different places If one of the others on my table posts the list in the right order, I will come back and correct mine. (-:

Stealth beer!

What's in a brand? Well, quite a lot for some people – and it's not always positive. I can't think how else can you explain the trend among brewers towards beers that don't have their real names on – instead they either have a stealth brand, or in some cases no brand at all.

So yesterday when I came across some rather nice new-to-me beers at the European Beer Bloggers Conference – a fruity golden ale called Sunbeam, and a couple of single-hop beers, one using Polish Marynka and the other English Sovereign – I was intrigued because it wasn't obvious who brewed them. They were on the table of conference sponsor Marston's, but the Marston's guys only referred to them coming from Wolverhampton – eventually I spotted "Banks's" on the clip, but in tiny, tiny print.

I'm no branding expert, but it did make me think some more about the subject – especially as I saw something similar a few weeks ago, when I spotted an unfamiliar pumpclip in a Greene King pub. Of course GK uses several sub-brands, some for breweries it has bought and closed – eg. Morlands, Ridleys. Ruddles – and some simply to differentiate, such as Westgate, but this clip simply gave the beer's name (The Sorcerer) with no indication at all of its origin.

Stealth beer first caught my attention several years ago at the huge Coors – or fellow conference sponsor MolsonCoors, as it now is – brewery in Golden, Colorado. In the brewery tap were glass trophy cases, and also in there was a bottle of a beer I'd never seen before: Blue Moon. Just to look at the label I'd never have known it was a Coors product. I could only guess that the aim was to reach the kind of drinkers who avoid the mega-brewers.

It was also around that time that Anheuser-Busch – now AB-InBev – bought a slice of RedHook Brewery. Talking to AB people I realised that their motive was similar to Blue Moon's: if you're going to lose market share to craft beer, it's much better to lose it to your own craft beer. AB-InBev now owns several other craft breweries and sub-brands, of course.

I guess the lesson is that not everything that looks new and independent actually is. On the other hand, it's also that the old names are perfectly capable of doing something new and wonderful, as with the Banks's project, which is to explore hops by brewing twelve identical beers, one a month, and flavouring each with a single different hop variety.

What do you think – should Banks's and Greene King use (one of) their own brands, or would that create the wrong kind of expectations?

Seriously beery

Is MolsonCoors - which is the lead sponsor of this week's European Beer Bloggers Conference - serious about craft beer? It certainly looks that way. As well as its US witbeer Blue Moon, its suggested dinner beers included bottle-conditioned Worthington White Shield and Red Shield, and both bottled and cask-conditioned Honey Spice no.3 ale from Sharp's.

Also on the menu from Sharp's was its 10% Quadrupel Ale - made according to head brewer Stuart Howe with four hops, four malts, four yeasts and four fermentations. This was complex stuff, with a hoppy, musty wine-barrel aroma turning more syrupy in the mouth, with grapes and a hint of chocolate coming through. Somewhat odder was Stuart's Turbo Yeast IV, a 22% monster that as far as I could gather is a mix of non-alcoholic beer and a distilled spirit. It's more like a slightly soured treacley port, and will not be to everyone's taste...

Bacteria found alive in 200-year-old beer

In 2010, divers exploring a Napoleonic-era wreck off the Åland islands, a Finnish (but autonomous, and Swedish-speaking) archipelago in the mid-Baltic, discovered bottles of champagne and beer that were still sealed and appeared intact. Some of the champagne was auctioned for charitable causes - raising €54,000 for just two bottles! - and a couple of the beer bottles were sent to Finland's VTT Technical Research Centre for analysis.

Some early results were released a year ago, including the discovery of dead yeast cells and live lactic acid bacteria, so what's the news now? Well, according to this week's VTT press release, they've finally published their results properly, including identification of the four lactic acid bacteria species and what appeared to be dead cells of brewer's yeast and a lambic yeast. It adds:

Both bottles contained beautiful pale golden liquids, identified as beer by the presence of malt sugars, aromatic compounds and hops typical of the beverage. Chemical analyses showed that the beer could originally have featured hints of rose, almond and cloves. However, the beers in the bottles examined had not stood the test of time well.

The pale golden colour indicates that the beers were made from unroasted malt. The burned flavour suggests that heating at the mashing stage was not under control. It is possible, though, that a smoky flavour in beer was appreciated at the time. The beers were probably made from grain – barley or wheat or a combination of the two. Hops, of a variety typical of a couple of centuries ago, had been added before boiling the wort. 

The analyses also appear to show they were two different beers - one with some characteristics typical of wheat beer and the other much hoppier than the first, and with different bacterial compositions. A presentation given by VTT on the findings is available as a PDF here.

They're going to sell some more of the champagne next month. The next step will presumably be to try recreating the beers - the Åland government is funding the research in a sort of PR exercise for the islands.

A new brewer in town

I dropped in at the Botanist brewpub on Kew Green this week to find its new brewer – or rather, one of its two new brewers – at work, having just started there earlier this month. His name is Johannes and he is originally from Bitburg in Germany, but he has just returned to Europe after two years brewing in Canada. Before that he worked in a number of other breweries including Paulaner's Shanghai brewhouse.

A lager brewer in an ale brewery? Don't forget that many lager styles, weizen for example, are brewed warm like ale and with a top-settling yeast. In any case, a good brewer – and I'm sure Johannes is that – can turn his or her hand to pretty much any style.

Johannes said he will continue brewing the Botanist's four regulars, which are Humulus Lupulus (pale ale), 391 (brown ale), Kew Green (fruit wheat beer) and OK Bitter, as well as producing specials and seasonals. Coming up soon are a Blueberry Cream Ale and a smoked amber ale to be made with peated Scotch whisky malt. Hopefully there will also be a brew of 65 Mild for next month's Mild Month.

There is some management interest in adding a lager to the range, but it would need investment to install conditioning tanks in the cellar. In the meantime, they'll continue kegging and carbonating the Kew Green and maybe also the Humulus – both unfiltered and unpasteurised – for sale as home-grown alternatives.

As an aside, the Botanist is far from alone in kegging live unfiltered beer. Many Bavarian and US craft brewers do it, say, although others do filter and chill. It shows that the oft-repeated tale that all keg beer is filtered and pasteurised is actually a myth, although of course kegging an ale does mean it won't get much if any of a secondary fermentation, and the added CO₂ means it no longer qualifies as “real”.

Anyhow, a second brewer is due to join the Botanist in the next few weeks. Is there enough work in a 2.5-barrel brewery for two? Maybe at times – apparently the management would like to be able to squeeze in an extra brew or two per week – but longer term the pubco which owns the Botanist is looking to open a second brewery to supply its other pubs, in which case one of the two would move there.

London, City of Beer with Food

There was a bit more to the London City of Beer launch last week than I mentioned at the time: after introducing the project to the assembled media, we were treated to a London beer and food tasting – well, all the beer was from London, but the food wasn't, although it was all from the British Isles.

Lead by writer and campaigner Roger Protz, this was all about getting the message over that beer goes brilliantly with food, and is often a better match than wine. As Roger said, “I've never understood why Stilton is served with Port – it's a horrible combination. Cheese and IPA is a match made in heaven!”

He added: “The interesting thing about British beer is how many different hops brewers use for bittering, flavour and aroma. Most Continental hops tend to be a bit one-dimensional, and then the brewers only use one variety per beer.”

Here's the menu, with Roger's suggestions of what goes well together:

1. Fullers (Gales) Seafarers Ale with smoked salmon on crisped sourdough wafers – basically thin toast. Somehow the salmon brought out the fruitiness of the beer, while the beer deepened the salmon.

2. Sambrooks Junction with salt and peppered mini sausages. The beer, with its roasted barley and malty notes, cut through the slight fattiness of the sausages to reveal them at their meaty best.

3. Fullers ESB with leg of lamb, roasted pink with rosemary and thyme. The classic Fullers marmalade notes plus ESB's dark dried fruit beautifully contrasted the sweetness of the meat.

4. Meantime Wheat beer, in small champagne-style bottles, with Cooleeney (Irish) soft cheese. The spicy and faintly tart hefeweizen was an interesting match for this Camembert-style cheese. I wasn't convinced, but others thought it great.

5. Bengal Lancer with Yarg (Cornish) and Cashel (Irish) cheeses. This beer was a better match for cheese in my view, its assertive dry yet fruity hoppiness both the creamy and salty cheeses.

6. Fullers 1845 with a selection of white, milk and plain chocolate mini-ingots from Hotel Chocolat. Some people might have gone for the obvious here – a porter, Fullers London Porter even! - yet the rich fruitiness of 1845 demonstrated that sometimes a little contrast serves to show up each partner's best points rather than their worst ones.

During all this, Roger kept us entertained with a string of anecdotes and background information. For example, we learnt that ESB is a UK trademark of Fullers so there are no other ESBs made here, whereas in the US it has become a popular generic style, and that Bengal Lancer had its first success not in the UK but in Scandinavia – apparently the Fullers marketing people didn't think it would sell here, so they shipped it to Sweden instead. Bizarre.

He did also repeat the IPA myth though – that India Pale Ale was originally brewed stronger than other beers to help it survive shipping to India, which it wasn't. Sure, early IPAs were maybe 7% or 8% ABV – but so were the other pale ales of the time, according to historians who've dug into the brewers' logbooks. Pete Brown, in his book Hops and Glory, suggested that the special character of IPA may actually have come from a variety of the Estufagem baking-and-sloshing process that produces Madeira wine. I'd love to try a classic IPA that's been through Estufagem, if anyone fancies making one...

Anyhow, the food was excellent, and in the circumstances it was just as well that it was sample portions rather than a slap-up meal, as the latter would have taken longer and probably would have detracted from the beers rather than enhancing them.

Yes, a lot of Fullers beers in there, but we were in a Fullers pub! And apparently while more breweries had been invited to participate, they had not been able to do so for various reasons. I'd love to think that there will be a “next time” for them to have another go at attending. Here's hoping.

In the meantime: beer with food. You know it makes sense.

London, City of Beer

London was once the world capital of brewing. Five years ago we thought we'd lost almost all our brewing, but recent months have seen an amazing regrowth, with the number of ale breweries jumping from barely a handful after Young's closed down in 2006 to more than two dozen now.

That was the message last night from CAMRA's Christine Cryne, launching the London City of Beer project to an audience of writers and other luminaries from the worlds of food, tourism, and of course drinks. In essence, LCoB is a celebration of the city's pubs and beers. As well as a website listing beer festivals, brewery open days, suggested pub crawls and lots more beery information, there's going to be a special issue of London Drinker magazine called A Visitor's Guide to London, with lots of useful gen for anyone new to the London pub.

This magazine is intended for the many visitors who will come to the capital for this very special and busy summer, whether it's for the Queen's Jubilee, as tourists, or for some sporting event that's taking place across town. It will launch at the Ealing Beer Festival, which opens on July 4th.

“Between July and August we intend to make as much noise as possible about pubs and beer in London,” Christine said. “This is a showcase that's never going to come again.”

And of course she wants as many people to get involved as possible: on the LCoB website you can download forms to get your events put into the listings, there's a supporter's poster for download too. Sadly, none of this will be much help if you're unfortunate enough to be in the Olympics “exclusion zone” - the greedy spivs and numbskulls of the London 2012 Organising Committee have sold the “exclusive pouring rights” to Dutch lager-maker Heineken, and no other beer branding will be allowed in the vicinity.