|Ron & Mike show off Brewery Yard
“I’d tried to persuade loads of people before to brew this beer, Mike was the first gullible idiot to take me up,” Ron joked. He added that in the 19th century, “Pale Ale [and by extension IPA] wasn’t meant to be drunk young, it was meant to be aged for a long time. For example, bottled Bass was probably at least 12 months old before anyone got to drink it. It is a very different concept, the complete opposite of how we do IPA today – people liked the aged flavour and were willing to pay extra for it.”
Unlike Porter, which was aged in giant vats, Pale Ale was aged in barrels. In some cases they were just left stacked for months in the brewery yard, hence the new brew’s name. Stock, which meant aged, was the opposite of mild – Ron pointed out that Mild was not originally a style of beer, it simply defined how the beer was treated before sale: “Mild and Stock would have been the same recipe, except Stock had 50% more hops and a secondary Brett fermentation.”
“It was a year in the planning, it spent 11 months in barrel and was then bottled in June,” Mike said. “Two and a half years is a long time to work on a beer project, I had to keep telling Ron to be patient!”
So was it worth the wait? From the drinker’s perspective, very definitely so. The first thing you notice about the beer, apart from its golden-brown colour and initially fluffy head, is a characteristic Bretty aroma – tart and almost fruity, reminiscent perhaps of ascorbic acid. Then there is a potent dry bitterness with herbal notes to it, and a tart woody winey palate. It really is fascinating – and worryingly drinkable for something that weighs in at 8.4% ABV!
Ron reckoned it was also quite possibly the most expensive beer Goose Island has ever done – its Chicago brewery is a 50-barrel (almost 6000 litre) plant, but by the time all the losses in the process were accounted for, there only about 20 barrels left. Of that, just over 2000 litres made it into 75cl bottles, and 600 of those have come to the UK (where they’re priced at £20 each).
As well as losses in the barrel-ageing, a huge amount was lost during hopping – Brewery Yard used whole-leaf hops, which the brewkit was not designed for, and a lot of wort was left in the wet hops afterwards.
|Mike talks beer with a happy drinker
It’s great that Goose Island is still able to do projects like this, even if, as one of the other guests at the launch (brewer and Brett expert Ed) pointed out they’ve perhaps played it a bit safe by using Brettanomyces Claussenii, which is one of the subtler Brett strains. And of course one reason they have the capacity for projects like this and their sours at Fulton is that their main brands such as Goose IPA, 312 Urban Wheat and Honkers are now produced at massive east and west-coast breweries belonging to their parent company, AB-Inbev.
The financial weight of AB-Inbev is also behind Goose Island’s push into the UK. The Brewery Yard launch was part of this, but so is the UK edition of its Block Party series tomorrow in Shoreditch – basically an afternoon of live music, with bars and food stalls – and so too was the appointment last year of a European brand ambassador, Josh Smith, who was formerly at the White Horse on Parsons Green.
“We don’t want to send beer over with no support – the storytelling and training is a big part of it,” Josh explained. He added that, unlike US brewers who’re brewing in Europe, Goose will continue to bring its beers in from the US. He explained it’s all about the logistics – an area where AB-Inbev has been a big help – with the beer being shipped and stored chilled all the way.
As well as introducing Four Star Pils and Green Line Pale Ale to the UK this month, Josh is keen to get 312 Urban Wheat as a regular on draught – he sees it as a good crossover or gateway beer for lager drinkers – and on bringing Goose’s seasonals in too. In the battle for the soul of craft beer, it really is 'interesting times'!